Investment products offered through MLPF&S and insurance and annuity products offered through MLLA:Īre Not Insured by Any Governmental AgencyĪre Not a Condition to Any Banking Service or Activityīank of America" is the marketing name for the global banking and global markets business of Bank of America Corporation. (“MLLA”), a licensed insurance agency and wholly-owned subsidiary of BofA Corp. Insurance and annuity products are offered through Merrill Lynch Life Agency Inc. Trust and fiduciary services are provided by Bank of America Private Bank, a division of Bank of America, N.A., Member FDIC, and a wholly-owned subsidiary of Bank of America Corporation (“BofA Corp.”). MLPF&S is a registered broker-dealer, registered investment adviser, Member SIPC and a wholly owned subsidiary of BofA Corp. Merrill Lynch, Pierce, Fenner & Smith Incorporated (also referred to as “MLPF&S” or “Merrill”) makes available certain investment products sponsored, managed, distributed or provided by companies that are affiliates of Bank of America Corporation (“BofA Corp.”). When you visit these sites, you are agreeing to all of their terms of use, including their privacy and security policies. Bank of America has not been involved in the preparation of the content supplied at the unaffiliated sites and does not guarantee or assume any responsibility for its content. Certain links may direct you away from Bank of America to an unaffiliated site. Bank of America does not assume liability for any loss or damage resulting from anyone's reliance on the information provided. These materials are for informational purposes only. Opinions or ideas expressed are not necessarily those of Bank of America nor do they reflect their views or endorsement. Any opinions expressed herein are given in good faith, are subject to change without notice, and are only correct as of the stated date of their issue.Ĭontent contained herein may have been produced by an outside party that is not affiliated with Bank of America or any of its affiliates (Bank of America). Before acting on any information in this material, you should consider whether it is suitable for your particular circumstances and, if necessary, seek professional advice. This material does not take into account your particular investment objectives, financial situations or needs and is not intended as a recommendation, offer or solicitation for the purchase or sale of any security, financial instrument, or strategy. Only the portraits were hand engraved, retaining a traditional look.Investing in securities involves risks, and there is always the potential of losing money when you invest in securities. There are also hidden features only detectable electronically. The ‘CJ’ bills have front to back registration, meaning that they must be shown to align absolutely via a semi-transparent number fragment that completes itself when held to the light. What has resulted is a beautifully layered and highly cohesive note series, the $20 note winning ‘Bank Note of the Year’ for 2005 by the International Bank-Note Society.Įven by the era of the Bird Series, the main security feature was no longer the intricacy or perfection of the engraving but in elements such as metal threads, holograms and watermarks. This could only be accomplished with the help of computers and their ability to provide multiple versions of a note or make changes instantly visible. Canadian Bank Note art director Jorge Peral was charged with designing the entire note series. Like in 1954, the series design was the vision of one person. Many focus groups were convened to decide what values or achievements most reflected the Canadian experience and these elements, from the arts to pond hockey to votes for women, adorned the backs of all the notes. It was also the first to involve Canadian citizens in its subject choices. Two can play at that game and the ‘Canadian Journey’ series was the first to be designed wholly on a computer. Desktop printers, scanners and photo manipulation software were all becoming affordable tools for the counterfeiter. By the late 1990’s, security printers were under siege by an army of new digital reproduction devices.
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